
Number of performers
From 1 to 4

Shift duration
4h

Main strength
Hilarious

Areas
Interior / Exterior
First known as “The Little Tramp”, he was quickly called First known as “The Little Tramp”, he was quickly called “The Tramp” by the audience. In 1914, Charles Spencer Chaplin spends his first ten movies looking for his character, which will soon take the world by storm. He tries various shapes of mustaches, often changing hats and shoes.. From 1914 and through his first ten movies, Charles Spencer Chaplin created his character that would ultimately become a world wide icon. He tried different shapes of mustaches, changed hats and shoes. Au bout de deux mois d’essais, il fait enfin son choix et garde définitivement le même costume, le même maquillage, les mêmes gestes caractéristiques. Jusqu’à la deuxième guerre mondiale, Charles Chaplin ne paraîtra plus jamais sur un écran sans sa petite moustache, sa Until World War II, Charles Chaplin would never appear on the big screen without his small mustache, his cane, his over-shoes and his duck-footed walk.

From 1 to 4

4h

Hilarious

Interior / Exterior
Pour que votre événement marque les esprits de vos invités, il est crucial d’offrir des activités qui sortent de l’ordinaire. « CHARLOT » figure parmi en tête de ces animations ! Nos équipes sont des experts chevronnés qui démontrent une écoute attentive et une minutie absolue. L’illusion est parfaite, et voici vos hôtes plongés dans l’ambiance des années 1920. Des experts de premier ordre, accoutumés à répondre aux attentes d’une clientèle exigeante. Ils réalisent vos projets en y injectant leur passion et leur énergie. Ce sont eux qui vont vous impressionner et vous serez charmé par les moments précieux qu’ils proposent à vos invités et qui répond à l’objectif que nous avions établi.








Philippe Pillavoine a appris le Mime aux côtés du maître mime Marcel Marceau de 1993 à 1996. Il étudie le personnage créé par Chaplin en 2004 alors qu’il préparait des auditions pour une comédie musicale sur le réalisateur du Dictateur qui malheureusement n’a jamais vu le jour. Il a profité du travail d’étude entrepris pour créer « Charlot » Animation déambulatoire. Depuis il n’a cessé de perfectionner son interprétation.
“The character created by Charles Chaplin is enthusiastically recognized by all audiences. Young and old are delighted.” Philippe told us.
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The Tramp, alone... Not so much. It is impossible not to recognize his emblematic shape, his cane, his bowler hat, his mustache and his over-sized shoes. His unique style is easily spotted even by the youngest generations. With an incredible power of recognition, this generous character, and his very personal honor code of chivalry, swings his cane in the air and reaps tremendous laughters, held back tears and shocked reactions for those who take pleasure in watching his silent comical tales.

By bringing a contrast to the visual genius of Chaplin’s expressions, the music always played a significant role in his filmography, he was himself a music lover then a practictionner and ultimately a composer of his own soundtracks. Our tribute had to have a musician! By accompanying the Tramp with contrasting music, by creating the mood of the improvised scene and by occasionally becoming the main character or even the soloist, the musician makes themselves essential for the comical precision of the tramp’s silly faces!

The tramp has always defended the dignity of the window and the orphan. As he boldly faces perils and hardships, sometimes bringing back justice unbeknownst to himself, his romance with the Damsel is a moment of peace in a world of perpetual trepidation. In this climax of the Tramp’s tales this “dream relationship in an ideal climate of good faith and healthy arrangements” will not be the sanctity of marriage but the starting point of out little scenes. Because love is never guaranteed, it is a constant fight, especially when Cupid is looking elsewhere!

Au menu : poursuite effrénée et comédie burlesque autrement dit du slapstick dans la plus pure tradition ! Le slapstick est une sorte d’humour qui se distingue par son caractère absurde et sa tendance à l’exagération. Comme dans les films de Laurel et Hardy ainsi que ceux des Marx Brothers. L’expression vient de l’anglais « slap stick », qui signifie littéralement « bâton claqueur » et se réfère à une sorte d’instrument sonore, sans danger mais très bruyant, qui amplifie la portée des coups donnés. Elle tire son inspiration du « battocchio » employé par les artistes de rue en Italie. Il constitue en particulier un élément essentiel de l’humour burlesque.

All the characters from the Chaplin universe, gathered specifically for you. The Damsel, the Copper and the musician will scramble around our vagrant big-shoed hero. Love, epic chases, searches for havens, connivance with potential allies, escapes, falls, kicks, audacious mockeries and secrets, stolen kisses, betrayals, laughs and cries are all mixed together by the musician’s melodious tones.
Soutenez la culture pour tous

